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The second issue of this second miniseries from Hamilton Comics is the only issue in this run to feature one full-length story as opposed to being split into two stories. Unfortunately, even in this format, “The Yesterday Bomb” is a story that still feels rushed.

The plot of the book is fairly straightforward; Lord Zedd concocts a bomb that sends the Power Rangers and their Thunderzords back to the age of the dinosaurs and now they have to find a way to make it back and stop Zedd’s evil robot to wrecking havoc on the city. In theory, it’s not a particularly bad story and does have the makings of something that could’ve been spread out over a couple issues. In execution, the plot does come off as feeling a bit rushed and while I don’t care for the decompressed style of storytelling in comics that span several issues, there are times where I wished they had turned this into a two-part story.

Al Bigley returns for penciling duties while Sparky Moore handles the inking. I honestly wished that it were the other way around simply because Moore is the better of the two artists. A lot of the complaints that I’ve had with Bigley’s past work in these books are prevelant here; everything comes across as hastily drawn and a bit of a mess. Somehow, the art in this issue might actually be worse than Bigley’s previous outings, with one frame in particular depicting Billy as an older gentleman rather than a smart looking teen. I want to say that this book either predicted or inspired the means by which to write off David Yost from the series in the future, but that’d be giving this book too much credit. But, yeah, the art here is pretty bad; quite possibly the worst I’ve seen.

All in all, The Yesterday Bomb is a neat premise on paper, but the execution leaves much to be desired.

So not long after the conclusion of their first miniseries, Hamilton Comics begins their second miniseries of MMPR comic books – although this one lasts about four issues before being abruptly cancelled due to an expiring license, as Marvel would pick up the slack by the time the movie rolls around… for better or worse, but we’ll get to that.

Right off the bat, the miniseries does a far better job of matching the paradigm established in the middle portion of the second season. One of the issues with the first mini is that the stories were written with the first season in mind and newer elements like Lord Zedd and the new Rangers were swapped in with the old stuff without so much a change in their actual mannerisms. Here, Lord Zedd is very much his own character, the new Rangers are very much their own personas, and Tommy is established as the leader after not being much of one in the back end of the previous mini. Baby steps, kids.

As before, we have two stories in this issue. The first story, “While The Cat’s Away,” sees Lord Zedd heading off to some other galaxy to take care of business, leaving Squatt and Baboo to concoct their own plan to defeat the Rangers. Said plan involves a droopy monster that is eventually defeated by an oven that shoots awful food. Said oven cooks awful food because Bulk & Skull fixed it… or ruined it… or whatever you think. This is standard fare with a smart ending and I like the attempt at giving Squatt and Baboo more than the bumbling roles they usually adopt on TV.

Unstoppable Force is the second story, which involves inertia. A monster with stretch limbs is attacking, nigh invincible, and is eventually defeated when it falls off a cliff after the Megazord steps aside… it’s a unique ending to an otherwise average story.

Both stories feature are by returning artists; John Heenik for the first and Sparky Moore for the second. Both have stepped their game and continue to produce some of the best art in this Hamilton run.