Category: Comic Reviews

This is it. The final chapter of Avengers Disassembled. The end of an era in the storied saga of the Avengers… or at least, the end of this volume. We still have Avengers Finale to close the chapter proper, but this is where we end our Avengers journey and… well… for what it’s worth, the ending hits all the right notes.

The revelation of Wanda as the cause of all this mayhem, the debate on whether she would actually be capable of such a thing, and that one bit of exposition – paired up with a wonderful montage of various past comic book covers and panels depicting Wanda’s darker side over the years – fits in so perfectly that it makes absolute sense. And then when the Avengers confront Wanda and we get another battle… which ends as it does and features a cameo appearance that makes sense within the context of this particular story, but not so much in the wider universe considering the stuff happening in the New X-Men book… but whatever, I don’t care. The story is over. It ended on what I feel is a strong note. There’s a finale that serves more as an epilogue to this current version of the Avengers so that we can make way for the new version of the Avengers, which I’m actually looking forward to.

Congratulations, Bendis. You actually made me care about the Avengers for the first time… ever. Here’s a cookie.

(2025 Update: It  just occurred to me that, in redoing banners for this thing, I misspelled Bendis’ name in all four banners… I’d go back and change it, but I’m far too lazy.)

In our last issue of Avengers… the mansion blew up, Iron Man was in a supposed drunken state, and a whole bunch of Avengers died. In this issue… we try to make sense of what’s been going on, but it’s just the calm before the next big storm to hit next issue, which promises another Avenger death. Oh goodie.

Once we get past the initial She-Hulk battle, things start to pick up as the team begin to question whether all of this stuff happening is just a coincidence or part of a larger part to strike at their lowest point. The team discussing what’s going on while licking their wounds is the thing that keeps me interested in this whole thing. And once you get to the final spread of all the reserve Avengers to provide assistance, it’s just setting the stage for the show’s grand finale.

Once again, David Finch provides some truly superb art and the final spread is a wonderful piece of business. After the first part’s endless barrage of offing Avengers, Part 2 is a nice piece of calm. Sadly, it’s probably not going to last, is it?

You all know that Robin’s being replaced. That’s common knowledge. If you don’t, one only needs to go here and find out.

At the risk of “spoiling” everything, I’m going to tell you that no, Robin doesn’t die. He quits. There you go; no need to buy this comic…

In all seriousness, however, the means of forcing Tim Drake to retire the Robin mantle is rather interesting, but the fact that no one has made an effort to hide what is to come doesn’t help the stock of this issue. I’m guessing the “retirement” of Tim Drake was the big consequence of last issue’s “unveiling”… and even though I haven’t read that last issue, I did read this issue. It peaked my interest even though I knew what was going to happen in a sense, so it worked on that level. The cover is rather bland and doesn’t really relate much to what’s in the issue, but it’s a good thing. The art in this issue is okay, but it really doesn’t do much for me. It’s not that it’s bad, but on the other hand, it’s really uninteresting and it doesn’t try to suck me into the story. Then again, that’s just me.

On the up side however, we’re getting a new Robin… again. And it’s a girl… again. This is the history of the Robin persona, a position that had been filled in by a young kid raised in a circus who had the nasty tendency of saying “Holy-this” and “Holy-that”, a snot-nosed kid whose rebellious nature got him killed by readers, and a “bland, whitebread kid” (thanks, Brian)… Whoever this new kid is (I know who, but I’m not going to “spoil” it for you) has some pretty small shoes to fill, but she should glad that she isn’t going to be wearing those god-awful pixie boots from the early days of the Robin legacy.

Under a different time, the 125th issue of Robin would have been a good book because it has the title character, through circumstances out of his control, forcibly step down from his career as a superhero. That alone would have been an unexpected move. But today, with DC’s own website and Previews basically spoiling the surprise by posting images of future issue covers, this comes off as nothing more than an average book with nothing to sell it on. Whether it’s worth the asking price is up to the customer (as with… everything), but I’d skip this one and wait for the next issue… which has the girl Robin debuting.

In a couple months’ time, there’s a new Spider-Man movie. So naturally, Marvel produced several story-arcs and mini-series that features a newly redesigned Doctor Octopus, who just so happens to be the main villain in the flick. That’s just fine and dandy, but this is Ultimate Spider-Man, where Humberto Ramos’ new Doc Ock (which kicks @$$ by the way) doesn’t make an appearance here, but rather the regular Doc Ock that’s indigenous of the Ultimate line of books. In any case, it’s the same intent.

If the fact that the latest arc in the Ultimate Spider-Man series pits the wall-crawler against Doc Ock isn’t a dead give away that this is another one of those oppurtunities to cash in on the hype of the upcoming Spider-Man movie sequel, then the disappointing plot element of an unauthorized movie being made on Spider-Man will. So Spider-Man gets upset that a movie company is producing a movie about him without his consent or input. Doc Ock gets upset that Spider-Man is getting a movie made about him. Gwen Stacy, still distraught over the recent death of her father due to stupidities in super-heroics, is upset because Spider-Man’s getting a movie. I get upset because the entire storyline revolves around the production of a movie, which is something that should have been a one-shot deal, not necessarily an entire story-arc that could have been good for something else.

I don’t follow the Ultimate Spider-Man series, so I don’t know what has happened before this issue and thus, I can’t really comment on the serial aspect of it. Then again, I really don’t care for serialization to begin with, so that’s a non-factor. The art in this issue is pretty good. Everything is pretty much laid out nicely and everything has a clean look to it. On the other hand, it’s nothing special and certainly nothing that I haven’t seen before.

Of all the Doc Ock-centric stories that are being shot out recently, I’d have to say that this one is a little weak, but that doesn’t necessarily mean it’s a bad story. If you really need to go out and get something with ol’ Otto, I’d suggest you pick up the Countdown arc in the Spectacular Spider-Man series (or wait for the trade – it’s almost the same thing). You should only pick this up if you’re into Ultimate Spider-Man or don’t mind the “movie” plot, but if you’re somewhat interested in what the arc has to offer, there’s nothing stopping you.

For the uninformed, the strange looking comic series is based on  the latest DC cartoon series. Unlike the previous cartoons that came before it, which had some slick animation and presented  pretty good storylines, Teen Titans had anime-style animation and storylines that seemed way too kiddy. Perhaps you’re not supposed  to take it seriously, since it’s a team of kids, but the bunch of  kids that the series is based on were a tad more serious than what we have here. But we’re not here to look at the cartoon, we’re here to look at the comic.

Of all the issues I could have picked to review, I had to review  the one where the main plotline revolves around Raven getting a pimple. No, you’ve read right. And no, the cover of the issue is real. The whole story revolves around a pimple. This little pimple is the main villain of this story. Granted, it’s an interesting idea that is rarely thought of or implemented, but… oh good god, what am I saying? It’s a zit. For the majority of the book, the other Titans make fun of poor Raven’s zit, which reduces the issue to a poor man’s guide to zit jokes that are not only unfunny, but they really distract from the flow of the book, or lack thereof. The book tries to be humorous, but it doesn’t really work for me.

On a more positive note, the art is actually pretty good and it replicates the anime-style of the cartoon. I was a little reserved  about the show’s choice to forego the regular graphics and go with that form of animation, but on the comic, it works fine. I find it suits the printed format as opposed to the small screen. I could say more, but… it’s a zit.

There isn’t much else I can say about the comic. If you’re a fan of the cartoon and haven’t tried the comic, it doesn’t hurt to  give it a try. If you don’t mind a comic book where half of it contains poorly-executed zit jokes, this is for you. As for the rest of us, I’d take a pass.

Almost everyone in some capacity has heard of “X-Men”. The name is just familiar to the average joe as it is the comic joe. If they’ve not seen the comic, they must have heard of the movie, or the cartoon… or the action figures and collectables. But let’s stay with the subject: this is a review on New X-Men #123, now featuring a new penciller and a new painted cover. Although I rather liked the art in preceding issues, this isn’t much of a bad thing.

The deal with New X-Men is that it is continuity-conscious. In other words, you need to the book regularly in order to keep up with what’s going on. This is a standard of the modern-day comic, but it’s not like you have to read every book in the genre of a book every week in order to follow. New X-Men have their own self-contained  continuity and it’ll be interesting to see how long this keeps up. In terms of the writing, it’s a good read. The issue takes a break from the usual fighting evil mutants or anti-mutant groups and presents us with a first step to building a world where both normal humans and mutants can co-exist, something that is rarely seen in an X-Men book. Of course, the art is pretty good in this issue too.

To be honest with you, I can’t really find anything wrong with the issue. It’s not a perfect book (no matter how many times such a claim is made, you’ll find a few people saying otherwise), but is actually a great read. Again, the series has a continuity of its own, so anybody just jumping in or anyone who took a hiatus in collecting comics for the reading may get a little lost. To those people, I say you should check out some of the previous issues if you want to know what’s going on.

Again, New X-Men 123 is a good read. If you’re into X-Men, chances are you would obviously want to get the book. If you want a book just for the hell of it, this is also a good choice. But if you’re one who wants to get into the series, you should get the issues that precede this one because if you don’t, you’ll probably be lost… Worth your cash.

There’s a new Star Wars movie coming out in May… but you already knew that, didn’t you? And you probably know that with a new Star Wars, comes tie-in material such as a novel, toys, and comics. One of the comics includes a one-shot featuring Jango Fett, one of the new characters introduced in “Attack of the Clones” and apparently the guy whose son will make life a living hell for the Rebels in the original Star Wars trilogy. Although I like to say that the set-up is similar to the Boba Fett one-shots, that isn’t the case… there are some things that set this apart from that group.

Most of the Star Wars comics that comes from Dark Horse tend to be well done and this one is no exceptions. It’s hard to tell whether the characters are accurately portrayed compared to “Attack of the Clones” since the movie isn’t out yet, but considering Dark Horse’s track record for SW comics that are true to the films, it’s a safe bet that’s what we might see in the movie. The book features both Jango Fett the bounty hunter-for-hire and Jango Fett the father to his son, Boba. It shows that the elder Fett does have a soft side when it comes to family and the writer does a good job of showing this side. It’s something that sets it apart from the Boba Fett one-shots where the guy’s all business. You don’t see Boba’s family life, you don’t see Boba in his spare time, you don’t even see his face. With Jango, it’s not all business. The guy has a life outside of being a hardass and has a son to care for.

The artwork and paints are alright, considering everything looks the way they’re supposed to, although it’s nothing to brag about. There are nice color choices that nicely depict the environments and the bar fight looked good, but again, it’s not the most amazing thing you’ve ever seen. It’s the typical quality that goes with that art style.

There isn’t really much to hate about this book. You can’t go wrong with a guy who gets paid to kill people, steal stuff, and blow everything up. If there is only one thing I have to complain about, it’s the fact that the book focuses on a character that precedes a popular character (Boba Fett) of the Star Wars mythos. It doesn’t really seem to a good reason to do a one-shot solo on a guy we haven’t even seen in a full movie, so it’s hard to tell if a character’s been portrayed accurately from the source. This is only a minor complaint and may be irrelevant when “Attack of the Clones” come out.

I can’t really say that there is anything that could be considered potential spoilers to “Attack of the Clones.” Since I don’t check into those sites with the possible spoilers; and since half of them are BS anyway, there’s no real way for me to know. Star Wars: Jango Fett serves as a prelude to “Attack of the Clones” and does a good job to give us something to expect from “Episode II”. It’s a good addition to anyone who enjoys Star Wars or sci-fi comics in general.